Tag: Painting

Posted on

C. M. Russell Museum

In September of 2018, I took Carol to see the 201-foot-long Roe River in Great Falls, Montana, and the Giant Springs that feeds the river. My brother, Paul, and I visited the river in June of 2016, and I was anxious to see it again. (Visit http://www.paullinzey.com)

Returning from the river and springs, Carol saw a sign and excitedly said, “Turn around!”

An obedient chauffeur, I turned around and found my way back to 400 13th Street North. I could hardly believe my eyes. I blurted out, “The Charlie Russell Museum? I didn’t know it was here! You want to go in?”

“I pointed it out to you, didn’t I?” (Good point.)

In Southern California I learned to know the artist as Charlie Russell, but perhaps most of you know him as C. M. Russell. Also known as “Kid” Russell, Charlie was perhaps the greatest painter and sculptor of Western America.

Charles Marion Russell was born in St. Louis, Missouri on March 19, 1864—a year before the American Civil War ended; and he apparently had the desire to sculpt and draw as a child. (Some of my friends say it was not a Civil War, but the War of Northern Aggression. Other friends call it the War of Southern Secession. Whatever……)

Through the stories of his grandmother (Lucy Bent Russell – her brothers were Charles and William Bent who founded Bent’s Fort in Colorado), Charlie became infatuated with The West, and when he was sixteen years old his parents allowed him to head west to work on a sheep ranch in Montana—often called Big Sky Country.

He became a cowboy; but no matter what you saw on television, being a cowboy was not all “Yippie-ty-yi-yo, Get Along, Little Doggies.” It was a rough life, but Charlie stayed on and learned almost everything there was to know about the job. He often sketched scenes, painted, and made models of wildlife to pay for his room and board.

Gifted artists are not usually great businessmen; therefore, he had difficulty paying bills and keeping food in the pantry. But when Charlie married Nancy Cooper in 1896, she became his manager. When Charlie might have settled for $25 for a painting, Nancy knew how to get several hundred for it. With Nancy as his manager, Charles Russell entered the national limelight.

Charlie’s memory was amazing, but he frequently used props and models. Sometimes Nancy and another friend would dress up in Native American costumes to model for him. He would often create a quick reference sketch then join in the fun and dress up as well. His studio was filled with Native American and cowboy tools, jewelry, clothing, etc., which he used for reference.

Charles M. Russell died of congestive heart failure on October 24, 1926.

Arriving at the museum in Great Falls around 1:30 pm, time escaped us as we visited the gallery. The Charlie Russell Riders Sculpture Garden in the front of the museum is beautiful. And once inside the gallery, we were amazed with the paintings, sketches, sculptures, and carvings! Even the model stagecoach looked realistic.

Charlie was observant! Seeing what most others glossed over, Charlie saw the beauty in a galloping horse; sage brush in twilight; sunset over the rugged plains; and the fearsome look on the face of the Chief sitting on his pinto without a saddle.

He had a memory for detail that far surpassed most people. A gunfight at a saloon with rowdy cowboys riding their steeds on the boardwalks became a beautifully detailed painting. And looking at another painting, I could almost feel the pain in the cowboy’s wrenched back as he tried to “break the bronco.”

The museum is very well laid out as it reveals the evolution of Charlie’s life: professional as well as personal. We found high-quality gifts in the C. M. Russell Museum Store. The personnel are friendly, informative, and a joy to be with. I learned a lot as I spoke with them. In 2009 the Wall Street Journal called the museum “One of America’s premier Western art museums,” and I fully agree.

As we drove back to Dick’s RV Campground, I marveled at Charlie Russell’s abilities. Almighty God is a great and loving Creator. I believe that God gives everyone some creative ability or talent at birth, and it’s up to us to discover what it is and develop it. Charlie did. I encourage you to visit the C. M. Russell Museum at 400 13th St. North, Great Falls, Montana. You’ll enjoy it.

Posted on

Historical Trivia

I thought I’d follow up last week’s blog of New Years myths with a few tidbits of historical trivia.

Many things are going on in the world today and we tend to get tense, worried, and cynical.  But I think we need to “lighten up” … for at least a week. Also, I think humor is appropriate since Proverbs 17:22 says “A cheerful heart is good medicine, but a broken spirit saps a person’s strength” (NLT). So, here is some light-hearted trivia that I found many years ago. When I first read them, it looked like some had incorrect information so I did a little “lookin’ up” to get as close to the truth as I could. So sit back, relax, and enjoy the next five minutes.

Have you heard the saying “God willing and the creek don’t rise”? Some folk have a picture of an uncrossable stream or creek rising during a torrential downpour – especially with all the flooding happening in parts of the world today. However, there is one small error in that quote. The statement was written by Benjamin Hawkins, a politician and Indian diplomat in the early 1800s. While on the job in the southern USA, Hawkins was requested by President Thomas Jefferson to return to Washington D.C. and give a report about what was happening. His response was, “God willing and the Creek don’t rise.” Because of his job, and the fact that he capitalized the word “Creek,” it is deduced that he was referring to a potential Creek Indian uprising, and not a flooded body of water.

In George Washington’s days, there were no cameras. One’s image was either sculpted or painted. Some paintings of George Washington show him standing behind a desk with one arm behind his back, while others showed both legs and both arms. In fact, many paintings show people with arms or legs out of sight. That’s because prices were based on how big the canvas was, how many objects (things and people) were to be painted, and by how many fingers, hands, arms, legs, and feet were to be painted. Arms and legs are more difficult to paint, therefore painting them raised the price considerably. This is one probable origin of the expression, “It’ll cost you an arm and a leg.” By the way, that’s why many (if not most) cartoons show the characters with only three fingers and a thumb. Omitting the fourth finger reduced the production costs.

In centuries past, personal hygiene was not understood, and people didn’t bathe very often, which aided in the profusion of lice. Therefore, many women and most men in the European higher social strata shaved their heads because of lice and bugs, then wore wigs. This continued in colonial America – which, of course, was primarily an extension of British society. Wealthy and influential people could afford to buy larger wigs – and they did. Today we still use the term “He’s a big wig” because someone appears to be, or is, powerful and wealthy.

You might have heard various stories about the origin of “chairman of the board.” Well, some of the stories are flakey, but this is probably correct. The word “chair” infers sitting in the chair, or seat of authority (at times, perhaps the only chair while others sat on benches), and “board” (as we know it) was first heard of in the 13th century spelled borde, and means “table” – such as “God’s borde” (meaning “the Lord’s table.”) A mother’s call to the family was: “Mi bord is maked. Cumed to borde.” – meaning, “The table is set [for a meal]. Come to the table.” Also, people pay a fee or rent for “room and board” – sleeping quarters and food at the table. So, chairman of the board would be the person in charge at the table where business is conducted: be it church, industry, restaurant, or government.

Here’s one more. Have you heard the phrase, “turn a blind eye” in a situation?

In the naval battle of Copenhagen in 1801, British Admiral Horatio Nelson (who was blind in one eye) lead the attack against a joint Danish/Norwegian flotilla. The British fleet was commanded by Admiral Sir Hyde Parker. Sensing defeat, Parker sent a signal for Nelson to disengage, but Nelson was convinced he could win if he persisted. In Clarke and M’Arthur’s biography, Life of Nelson, published around 1809, they printed what they said was Nelson’s actual words at the time: [Putting the field glass to his blind eye and addressing his assistant] “You know, Foley, I have only one eye – and I have a right to be blind sometimes. I really do not see the signal.” So, turning a blind eye to Admiral Parker’s order, Nelson proceeded to defeat the enemy.

Thank you for reading, and I hope you have a pleasant week.